Thursday, November 20, 2025

Screen Dump 836

I suppose that's how it began . . .
odysseyites worrying the crossing
with Facebook friends 
roadmapping next steps to happiness
morning rounds interrupting
the magical mystery tour
promised by the maître d' . . .
But the sign-up sheet? . . .
Forget that, it was a misstep . . .
But you mentioned a vague disquietude,
a vexation totally unexpected? . . .
That too was part of the excitement . . .
Apparently, you didn't get the memo . . .
So many do not want to be bothered
opening Door #3, fearing what,
identity theft? . . .
You mean tweaking? . . .
Not a big deal . . . bringing
something new to the table
should help you navigate the unknown . . .

Marcin Szpak


Tuesday, November 18, 2025

Screen Dump 835

Stop making sense.
          - David Bryne, Talking Heads

Is it worth the effort to bring home the bacon
or release the stops and replay the collision
of fancy-pants words for odysseyites-in-training? . . .
Of course, the ramifications, allegations,
the daytrip to the photo-shoot
with clothes-horses astride the aforementioned . . .
An abundance of light . . . or delight, yes? . . .
You were promised a free ride but then what? . . .
The ventriloquist's dummy lost its voice
after speaking in tongues to residents of Utopia . . .
There was no turning back . . . the River Styx
if that's what you're thinking
or are about to think about . . .
Akin to moving into a loft to excavate
grainy black and white footage
from a foot locker earmarked for extraction . . .
before the scene in which briefs are filed
at a unknown law firm is dumped . . .
But that won't explain everything
being light years away from any sense
of street reality . . .
It's simply an idea . . . not unlike any old idea . . .
enamored as you are of the contemporary art scene
brimming with new or outlandish notions
in a culture punishing outsiders . . .

Mattias Bjorklund

Tuesday, November 11, 2025

Screen Dump 834

A playlist, yes, that’s it, a playlist . . .
rewound between scenes
and in the distance . . .
Can you believe the intermixes
of ensouled sediments à la Annie Ernaux . . .
memories the stuff of experience
confirming life's fragmentation
and the belief that one belongs
in a graphic novel? . . .
Try that on . . .
Oh, OK, to occlude the looming gloam of death
beyond the parameters of age
as if the sound of a train
steaming along the shore
will arrive with installation instructions
for your next next . . .
This is too far-fetched, isn’t it,
too ill-fitting
the range of options a word salad? . . .
You have to admit though a certain exuberance
so exuberant in fact that it applauds missteps
with A+s . . . nonsense, but yes
you can see it as well as I
and I have to admit I'm enjoying the garble . . .
the magic . . .

Annie Ernaux


Thursday, November 6, 2025

In Anticipation of Guillermo del Toro's Frankenstein

          for Mary Shelley

The powerful engine reanimates the commonplace
and transports you to Doug Adams's Galaxy
where you shop for food and tend the fire.
A little red helps wipe out the nightmare.
You thought solutions would drop from the sky
but instead squirrels on drifts ignite messages
from the Restaurant at the End of the Universe.
You recall taking off in secret,
traveling incognito around the countryside,
not unlike Torquato Tasso,
whose alleged schizophrenia rescued him
from a life without love.
Did Percy too stir with an uneasy, half vital motion
when you were out at all hours
with soft brush, dark crayon, and rice paper?
Were the rubbings a hit in the cabin on Lake Geneva?

Bernie Wrightson

Sunday, November 2, 2025

Screen Dump 833

It was like that, yes? . . . like the obtuse angle
in a math problem posting the past
with an escape route to explain why
as if Tears for Fears:
Welcome to your life
There's no turning back . . .
Prisoner in a trap of disbelief
choreographing rewrites that clutter
your mind's forgotten transfer station . . .
Why the passport makes no sense
in this pool of adjectives backstroking
the aseptic elegance of angularities
extends into extra innings
making it almost seem worthy
of the nonsense syllables
transcribed onto a faux scroll . . .
This maelstrom of bittersweet streams
is nothing new . . . nothing you did not master
in the stairwell of the apartment building
where you had set up shop so to speak
for your clients
that has since been razed
to line the pockets of wheeler dealers . . .
Your habitual scribbling about one-trick ponies
with empty sockets
suffers a conclave of nostalgia . . .
troubling knowledge of what will happen . . .
the time oppotune for boilerplate logic . . .

Antonio Palmerini