Screen Dump 848

You're filming the in-between moments

with a hand-held camera

driveby alphabets catch you off-guard . . .

You're pretty sure it meant something . . .

The power grid of your memory

is not about onomotopoeia

nothing like that at all

with crumbling facade along an overgrown path

filled with voices asking quick questions

expecting somersaults

at inopportune times

begging for an unpacking

of subject matter thrown out

during the last downsize . . .

It's the in-between moments, again, yes? . . .

the in-between moments

that have to be filled

with something, anything? . . .

What about the boxes of loose ends? . . .

The latest opening was cringeworthy

made more so by the late start . . .

You were perfect for the backlot scene

before you went underground with hobblers

following a trolley

loaded with ho-hums

reimagining how it might have played out

if happenstance hadn't happened along

with innuendoes roaring over you

like an unscripted mudslide . . .

Antonio Palmerini

Outtakes

(reposted from Friday, June 15, 2012)

I am not now that which I have been.
          - Lord Byron

You befriend a Chinese Puzzle Box,
walk through scenes of over-rehearsal and exasperation.
The (mis)direction is good for both of you.

This time without the backdrop.
You begin to lose interest, yes?
Nonetheless, proceed as if smearing paint on canvas.

Forget the image. There is none.
Wing it.
Let yourself be enveloped by the drama

of the moment, the spontaneity
of the lens, the elements of time captured.
Bemoan the loss.

Again, this time with tension.
The method is beside the point
resurfacing as binaries

which down the road will have their say
striking a chord with many.
(Pretend an audience.)

See how far you can take it.
The surprise will be costumed in the next chapter
however oppositional.

Antonio Palmerini

Screen Dump 847

The edge of a conversation

a word here a word there

trying to piece together the fragments

trying to follow . . .

Then in the courtyard

somnambulists exchange dreams

but again you're out of the loop

so you retreat to the next chapter

of an instruction manual

filled with asemic writing

but the way in is the way out

adding to the mixtape

with tattlers exposing Easter eggs

for ventriloquists

in the throes of a talkout . . .

It's the same old same old infinite loops

from the first act breaking stride

sending the dappled engagement

off on its own golden goose chase . . .

Antonio Palmerini

Screen Dump 846

Has reading between the lines helped? . . .

What about the blank page? . . .

Is it the intimate interiority

of a different life floating in

at all hours . . . covered with snow

that keeps you young, yes? . . .

keeps you moving across

the mind's moors . . . visiting

metaphysical what-ifs, haystacks,

brick-and-mortar clock towers

the inevitability of the postponed

as you try to fit into place

the last piece of the puzzle . . .

The dropdown menu of possible endings . . .

The wherewithal coming into view . . .

Antonio Palmerini

Screen Dump 845

Can anyone die without even a little bit of poetry?

          - Mark Strand

A sudden anticipation . . . this routine of words

portending immortality . . . however fantasized . . .

A dialectic with obscurity and belatedness

participating in various dreamscapes . . .

weather mounting . . . offshore . . . rain moving in . . .

Apollo clutches Daphne . . .

You clutch a mug of morning coffee

and you get it, yes? . . . this parallel dimension

where you appear . . . unannounced

in dress rehearsals for your present waking life . . .

Kelly Boesch

Screen Dump 844

The rustic earworms of your fantasies

storyboard Paradise Found

as you review choices made

in your past shuddered life . . .

eroticisms whispering Etch A Sketch images

infusing your DNA with new ways

into your days . . . without which

but that would be what? . . .

impastos unshackled? . . .

the clock continuing . . .

this unnecessary cupping of hands, yes

awaiting a sign . . . on this snowy night

traveling through the secret air

down the steep, down the stops, down the deepenings

until asleep . . . dreaming . . . mirrors, faces, all . . .

Kelly Boesch