Nothing Personal

I never appreciated Stephen Rea
until I saw him opposite Lotte Verbeek
in Nothing Personal
a quietly intimate elegy directed by Urszula Antoniak.
Two wounded people.
A secluded house.
The beautifully austere Connemara.
She uncompromising.
He ironic.
They see solitude as freedom
and close a deal:
food for work
but no personal contact
no questions. And yet.

Stephen Rea and Lotte Verbeek in Nothing Personal (2009)

But would that be enough?

You worry the prime real estate
speckled with persons of the cloth
their jurisdictions incidental
the years of sidebars indifferent.
(Why are they here, anyway?)
There's little to do aside from the obvious.
Yes, I suppose, you could unfurl
the colored parachute
and make do with the droppings
but the tug on your sleeve
keeps reminding you that there's more to it,
more than the Hallmarkian images
would suggest.
But that too has patiently eluded you.
You could take to the swings
and begin scribbling
on the electronic blank pages
floating down, on cue, from wherever.
But would that be enough? Really?

Joan Allen and Jeremy Irons in Georgia O'Keefe (2009)

And Now?

Trailers awaken you with images
of the new season.
A new cast and crew.
And the script?
Emailed as an attachment.
The need to know, yes?
Stronger than the need to avoid pain?
OK, everyone deserves to be happy.
Everyone deserves someone.
Specifically?
How about Wrapped around you?
Aren’t those lyrics to a song?

You try to advance the images
but the remote quits.
The delete key refuses to delete.
Just go through it.
Isn’t that what Loman said?
Who?
You know Death of a Salesman.
Willy Loman.
You’re mixing apples with widgets.
Look, sustain the effort.
Let it wash over you, pass through you.
Beginner’s mind.

Philip Seymour Hoffman  as Willy Loman

Awash with Nuance

Then suddenly they resurface
and you wonder the nuance.
Or, maybe you don’t.
Or, maybe you look to make sure what?
That your shoes are on the right feet?
That your iPad is loaded?
We’re all expendable
at least as far as the elements are concerned.
Or the elementals.
And wouldn’t it be interesting
if on a given day
the DVDs you’ve been religiously stacking
and paying homage to
displayed identical images?
Your past lovers assemble
in the town square
and coalesce into the one you await
or will await
or  awaited
or whatever
assuming of course you are  the self you claim -
the one he/she told you would arrive
when you least expected it.

Hugo

Woman XIX

I lose my remote
in the excitement
of her cookware.
Thumbing through recipes
I find a photograph of her
as a marionette
lounging among cushions
in a room filled
with parsed sentences.
I reach for my cutting board
to capture her strings.

Chloe Sevigny

A High of 51

          ode to Schenectady New York

I am Proctor’s.
And the Parker Inn.
And Katie O’Byrnes and Mike’s Hot Dogs and Pinhead Susan’s.
I am counting my change on the corner of Erie and State.
I am counting my blessings.
I am counting my chickens.
Red lights are dancing.
Birds are chirping.
Twitterers are tweeting.
State workers on lunch break are taking off their coats.
I am Peter Pause and Geppetto’s and the First National.
I am the Backstage Pub and the Bangkok Bistro.
I am the City Squire and the Manhattan Exchange and Deanne's.
Cars are zipping by with frosting on their hoods.
Ballet students in tutus are crossing Broadway en pointe.
There are birthday parties in back yards,
and back streets, and cul-de-sacs.
I have just finished a vegetarian burrito at Bomber’s.
It’s the special on this special day.
I am Cappiello’s and Ferrari's and the Katz Kafe
And Scotti’s and Nico’s and Perreca’s and Civitello’s.
Marquees are flashing like crazy.
Families are lining up at Bowtie Cinema
with popcorn, and candy, and soft drinks.
I am CVS and the Van Dyke.
I am Trustco and Arthur’s and The Happy Cappuccino.
Why wait for the right time?
This is the right time!
There is no better time!
The sun is smiling.
The sun is basking in the light of this special day.
The streets are freshly paved.
Even the facades are bubbling over.
Day care tweedlers are holding hands and singing.
The Pizza King is striding the sidewalk with his subjects.
The cobblestones are polished and gleaming!
Someone has rolled out a red carpet.
I am the Grog Shoppe and Slick's and Clinton’s Ditch.
I am Kentucky Fried Chicken and MacDonald’s and Burger King.
Try some.
There’s something here for everyone.
Every taste!
Every size, every shape, every age, every color.
The train station is handing out free rides.
Buses are busing in tourists.
They’re wearing sunglasses.
They’re carrying shopping bags.
They’re ready.
Some have backpacks strapped to their backs.
I am the Orion Boutique‎ and Lennon’s Irish Shop.
I am the Moon and River Cafe and Subway and Citizen’s Bank.
C-130s are buzzing overhead.
Stop lights are blinking.
Cells are texting.
Diesel engines are skipping down the tracks.
Chess players are practicing their openings.
Actors are delivering their opening lines.
I am Family Tire, and Ken’s Subs, and Chez Daisie.
I am Cella Bistro and Gershon's and Center Stage Deli.
I am the Wedgeway barbers snipping their customers.
Their magazines are opened to pages you will enjoy.
I am the Union Inn and the Y.
I am the Aperitivo Bistro and Tattoo Blues.
I have put my best foot forward
and landed at the public library
and General Electric
and Schenectady County Community College
and Union College
and the Open Door Bookstore.
Paul Mitchell's students have just styled my hair
and I like it.
Mr. Wasabi's sushi is my sushi and your sushi and your sushi too.
Take some peanuts back to your office.
Take a cup of the Muddy Cup’s double espresso.
Take a cup of Ambition’s Mudslide.
I am Villa Italia Pasticceria and Canali's and Cornell’s and Pasqualina's.
I am Capri Imports and Morette’s King Steak House.
Don’t fret the small stuff.
Put your feet up.
Kick back.
Take in the skywriting
and the kite flying
and the chicken barbecuing.
Take in the weight lifters
and the walkers and joggers and strollers and bowlers.
Take in the car wash
and the window wash
and the butchers and bakers and candlestick makers.
Today is today with a high of 51!

Paging Through Jung's Red Book

She was young, of course. . . .
          - Siri Hustvedt

You've misplaced your archetype and now
your unconscious is collecting itself and leaving.
You thought you had it all worked out
but every minute brings a change.
Restate your case.
You bought into the line breaks and realized too late
that the enjambments were a joke.
Your trust has made you untrustworthy.
I've heard it from you before:
I had to protect myself.
OK, are you now free to be the self you see
or are you clubbing onlookers
with that old - and very tired - I'm confused.
You're lucky you have time.
Those you've blindsided refuse to pick up.
I can't blame them.
Jung broke with his pal Freud over scrambled eggs
built a scale model of his childhood village
then with gaslight proceeded to search for his self
carve it out so to speak
renew membership in the Square One Club.
You too can be an event horizon.
You too can block hostile takeovers by those
laying claim to your inner beauty.
It's all here in the pages of Jung's Red Book.

Scanning Photos to CD at Walmart with my Daughters

The high priests have stepped in
with their counters, tallying the evidence
as if I - the party of the first part -
have the option to redo the scene,
reshoot the photos, remake the obvious.
This is the one shot I got.
But spin? Infinite iterations. Always
another way of shading the images,
twisting the ends to secure them
against . . . ? Against what?
Embarrassment? Regret?
Of course, I remember the sleepovers -
or at least being told of them
(You had to ask, I suppose?).
And the ballet rehearsals and recitals,
snow angels, sandcastles, camping trips,
trampolines, sleigh rides, homework,
bicycles, books, Barbies, beaches,
barbecues, boomerangs, baseball bats.
Yes! Yes! All, yes! Quickly!
Feed the photos to the scanner
while there's still time.
Its faint chirp transports me like Glass.

An Adult's Christmas in Nantucket

. . . the voices I sometimes hear a moment before sleep.
          - Dylan Thomas

We paid the price and boarded for the rough crossing catching whiffs of a paperback rider as we took our faded vinyl seats amid designer bags and backpacks with stretch marks. Once off, I escaped to the afterdeck under the glare of Ahab's understudy, preferring the romance of the sea to the chattiness of the Times until the waving of hands by the long-time-no-sees guided us to the island.  Then on to the cobblestone slog from the wharf to white-haired Barbara's B&B, exacting its toll on the plastic wheels of space age luggage.  Later, the shrill of smoke detectors, unaccustomed to the seriousness of eighteenth century hearths, would punctuate the much-touted Christmas walk, where a no-nonsense spaniel of some unknown vintage sat primly on a sofa in front of a fire, eyeing the intruding landlubbers traipsing through his home at this most ungodly of hours, decked out in - get this - blue-tinged booties as if we were all to be herded posthaste into a delivery room for the birth of yet another ne'er-do-well in swaddling; while outside one of the larger evergreens, bedecked with strands of multicolored blinking lights emitting the scent of whale oil, was soon set upon by hordes of down-filled stamping feet for canned poses to be Facebooked in nanoseconds. The evening capped by a graybeard, whose highbrowed delivery of A Child's Christmas in Wales, with two thespianettes acting out various images, would have been enough for Thomas himself to fall yet again off the wagon and tip a few with the furrowed seamen whose varnished visages bore down on us from their perches on the library's hallowed walls with eyes privy to sights to which even Thomas's words would have failed to do justice.

Dylan Thomas  by Bunny Adler

5 PM, Christmas Eve

Have yourself a Merry Little Christmas. . . .
          - Ralph Blane

Santa and his reindeer
line up for beers
at the corner pub,
their day in the sun done

for another year;
their sleigh,
loaded with empty promises,
mothballed.

Last minute shoppers
down to their last minute
converge helter-skelter
on shopping malls

as Blue Light Specials
blink throughout stores
like Christmas lights
on artificial trees.

Sidewalk Sleepwalk

Sea urchins sip iced tea
laced with ginseng.
Urban blight sashays
through the town square
the town circle
the town triangle.
Clouds laugh with blue.
Additional parking spaces
line up for free
skateboarding lessons.
This is the dawning
of the Age of  Somnambulism
when willows stop weeping
dreams sprout arms and legs
and cartwheel naked
up the Capital steps
and every mother's son
emails every father's daughter.

Anka Zhuravleva

Another Wintry Day in Yoknapatawpha County

Absalom bubbles up from my memory
along with other bicycle mishaps at forgotten intersections.

Yesterday, the composer-in-residence next door
disappeared into a train of thought.

I think of the beers we enjoyed on her back porch
watching movies from the drive-in across the field

until the corn blocked our view.
I tried listening to the music of magic markers

but found it useless without my hearing aids
which someone had written into a short story.

Outside my window, flurries hang on my every word
like my friend from college who called

to remind me of the class we had taken on Faulkner.
I looked through my books for Faulkner

and found a photo of my parents wringing their hands.
They too are no longer here.

William Faulkner  by Martin J. Dain

Feeding Spam to Venus Flytraps

Misdirected last minute shoppers with
late-December arms in slings
search for intimates for that special someone

in the Garden Center at Walmart
among them, a handful of pedophiles
and garden variety dirty old men

lick their chops over the long-limbed
pouty-lipped tweens in plaid uniform skirts
hiked well above their smooth unlined knees

shaking their boxes of Jujubes
in sync with their iPods - earbuds
directing jaundiced eyes to patches of skin

beneath unbuttoned starchy white blouses -
giggling their way down the hardware aisle
and into the Garden Center

to again feed Spam to the Venus flytraps.
Were Freud or his pal Jung here
with their unconscious what-not-to-do lists

we could freely associate the times
we abused the hell out of ourselves
on those Thursday afternoon breaks

during summer's dog days now that we
with years of fifty-minute hours under our belts
have finally managed to tuck away

all our Adlerian inferiorities into
the walk-in water closets of our minds
where now we drool

onto the latest graphic comix
special bondage issue, until our supervisor,
suddenly re-energized,

snaps us back into the ever-present present
with its incessantly-blinking Christmas lights
beckoning the homeless to leave

their cardboard duplexes double-parked
over the heating grates outside in the latest cold snap
and join us through the automatic doors

and into the world of joy to the world
with only four shopping days left
for a complimentary cup of holiday joe.

Woman XVIII

She has the moves
and is especially ruthless
with knights.
Entranced by her
play, I lose my pawn
en passant.

Sandrine Bonnaire in Queen to Play (2009)

This Trajectory Life #10

This trajectory life is often misrepresented in the media especially in times of plenty, when stoicism pins common sense to the mat and celebrates the indignance written on the faces of those working the mines and fields and factories listening to morning shock jocks on the AM commute as they parlay failure and catapult themselves into superstardom only to be brownlisted within the same gasping breath.

Robert and Shana ParkeHarrison

Expected Gain

While I'm digging in the tunnel, the elves come with solutions.
          - Seymour Cray

You made the pilgrimage to Cray's tunnels
but the solutions didn't come
and now you're telling the world about simulations
standing at the curb lip-syncing an aria,
the one you carried on about
after seeing the opera
how it bathed you
and filled the emptiness -
the emptiness that was always underfoot
like a stray cat
tripping you up more than once
culminating though
for some strange reason
in merriment and laughter,
you arguing against
The Law of Small Numbers
insisting it was the end point that counted
trying to convince yourself as well.
You kept telling me
you're waiting for it to wear off
your voice catching
as if you wished to touch base
one more time.
You knew the path was obscured
by fellow pilgrims preoccupied with gear.
You finally opened it up
not only your life
but your living space
knocking down the wall
ripping out the carpet
sanding and sealing the floors.
I've got to hand it to you.
You pulled it off:
on clear days, you can even see the lighthouse
that long ago protected those who lived here.

Francesca Woodman

Stone Bed

          for her

In bed she counted stones,
each stone a memory
of a place she had visited,
a place she felt drawn to.
We'd lie there
in the cool darkness;
she'd remove the stones
from a small pouch
and tell their stories.
She'd say the stories
were for me,
each stone's memory
a memory of me.
But as her words tumbled out,
they'd avoid my glance,
tiptoe past our nakedness,
neither lingering
nor caressing,
scamper out of reach
across the floor, and,
as I'd watch,
climb out the window
toward the rising moon.

Woman  XVII

She enters my dream
through a side door
a blues harp player
in snakeskin boots
and weathered jeans.
Getting out of bed
I slip on a musical note.

Kim Addonizio

Whiteout

Gridlock at the supermarket checkout:
customers shoring-up supplies

as if they were heading out to the Yukon.
Shopping carts abandoned to drifts

grow dim then disappear.
I am socked in.

The wall of snow approaches.
It envelops the river, swallows the cornfield,

straddles the edge of saplings. They sway -
nymphlike - as the whiteness takes them.

#16  by Tom Corrado

Woman XVI

Her voice spellbinds me
like the sound of a cello
note for note
measure upon measure
leading me through a maze
of fantasies
before releasing me
into the morning commute.
My GPS jams.

Frances Marie Uitti

This Trajectory Life #9

This trajectory life follows a revised lesson plan
directed at the inferior design of appetites
for students who, iPads unholstered, walk
slowly down the school's darkened corridors looking
for tweets in the school's darkened windows.

I need my (negative) space!

The endearments were lost in translation
and the nexus as they say went south:
upon awakening, you had a new script
and were off with
This is what I wanted!
OK, I got the rhythm
and have stopped taking the phone
into the bath -
a dimly-lit syncopation
its talking walls festooned with computer code.
And now I'll introduce the express line
(You knew I would, yes?):
standing - no, mired - in the express line
you reviewed the cacophony
and tried on re-entry for size - really? -
climbing into one, then another.
No dice. So, you figured you'd deconstruct it,
take it apart, examine its individual parts.
The easy out:
You screwed up!
Wait, are you referring to me
or to you?
Ready? Next level!
Repeat after me:
A fictional essay in 29 tangos.
Sounds like? Anne Carson. There you go.

Robert and Shana ParkeHarrison

Gathering String

We never keep to the present.
          - Blaise Pascal

You're skating on the edge
losing momentum
the farther reaches no longer a pull
the stories limp
excuses gathering string.
Refuel your late-model subcompact.
GPS the snow castle
where a room awaits your laptop.
Resume your memoir.
The last time doesn't count.
You were distracted.
You do remember, yes?

Robert and Shana ParkeHarrison

Woman XV

She can whistle in three-part harmony
and keep five balls in the air.
The words free agent  are tattooed
in Garamond on her inner thigh.
I am lost in her flurry of Post-its.

Ana Nuno

Soaps

Those last afternoons in the hospital
before I brought him home
were populated by actors
clattering across the screen
in their life and death dramas.

Crap Shoot

Tremors of love through your brief, undeniable selves, . . .
          - Mark Strand

You awake to unconsciousness
to the sound of trains arriving and departing:
furniture music from a far-off country -
a country you seem to remember.
You've tried to capture the language.
They have little to say.
Hiding behind text isn't the answer either.
Your words are compiled and forgotten.
You're anxious and confused,
your compass useless. Why bother?
The world of street corners expands and contracts.
Cameras continue to roll.

Robert and Shana ParkeHarrison

Woman XIV

I browse the stacks for lines
and wear my best shirt.
Every picture bears her resemblance.
A stray gives me direction.
I practice in front of a mirror
but the image is someone else.
My pen runs away.
My index cards go blank.
I arrange them in her likeness.

Woman XIII

She is awed
by the Great Houdini
and trawls eBay
for handcuffs and leg irons.
I become animated
after calling her cell.

Rie Rasmussen

This Trajectory Life #8

This trajectory life colors the struggles of those around it
shuffling and scuffling through the day's muted palette
shaking itself free of those shopworn conventioneers posting
promises on the bulletin board at the end of the hall.

You Are No Longer Here

A snowy afternoon in early December:
Miles ferries jazz into the Cool.

Matthew Broderick plays Richard Feynman on cable.
Later, I'll warm yesterday's Chinese

pour a glass of red
soak in the tub with a short story.

Why do I tell you these things?
You are no longer here.

Robert and Shana PakeHarrison 

The Pale Gray of Winter

There's a certain Slant of light, . . .
          - Emily Dickinson

A kitten batting a grape across the floor.
The last few leaves.
Snowflakes pirouetting in the air.
Can you imagine otherwise?

And Again

And now, the holiness, the uncertainty.
Googling yourself senseless for the answer.
Looking at the question sideways.
Turning it upside down.
A Magic Eight Ball atop a pile of typos.
You check yourself out of the library
as a large print monograph and graduate -
with honors - from sidewalk cracks
to the parallel universe of the Appian Way:
a marquee player, a foolhardy candidate
for the book of latter-day dinner theaters.
This too is drama.
This too has its own hopes and dreams
its own pitfalls
its own hooks for happiness.

Robert and Shana ParkeHarrrison

Again

The mispaginations inconvenience.
So too the false starts,
the empty promises.
And now the restructuring.
As if a Chapter 11.
Don't you just love/hate it?
Well, if you're going to play, then?
Then what?
Then take note of the footnotes!
The footnotes?
Yes, the footnotes.
They tingle
their fascination giving new meaning
new direction
to blind alleys,
the backpedaling
a new perspective
on where you've been and where you're going.
No longer worry the can of worms
the unknown
the lost poems of Mathilde Blind.
The sum total of trifles à la Dickens.
A brand new day, yes?

Robert and Shana ParkeHarrison

Saturn's Rings

A carousel is smitten.

Old timers are quick to fill in the gaps

created by leftovers:

a heady afternoon by anyone's standard

but especially today

with movie houses

backed up as they are.

The angularity impresses pharmacies
cashing in on the flux.
Sales reps reconfigure their TweetDecks.

Around here, Saturn's Rings are clearly visible.

Sadly, it's not a big deal.

Shopworn Estimates

The Piltdown Man's spitting image in the express line
seems to have overcome his fear of numbers.
He thumbs the Sunday papers with astonishing specificity.
Did he do it on his own, I wonder,
or did he get help, like so many others?
Do we have enough to optimize his footnotes?
Like that memory of a hot day with a vendor hawking umbrellas
he was last seen riding on the back of a garbage truck -
his password conspicuously absent.
Someone said he had left it out intentionally.

Or the other day, for example, when we dressed accordingly
following your giddy shopping spree.
Wasn't the checkout girl inebriating?
And those knickers, standing out as they did on the green.
Can you imagine?
Perhaps next time we can arrange for a proper sendoff
with nosegays and what-have-you-nots
shimmering with the propinquity
of something bigger than a collage of favorite vacation spots.
But who knew?

Certainly not the squanderers
documented in that abysmal miniseries that aired last week.
To think we lobbied so vigorously for his directorial debut!
It just goes to show you that with drivers like these
so tidily ensconced in their SUVs
there's nothing to do, nothing that can be done, nowhere to go.
And now with the final stages of this morning's coffee break
bearing down on us like a deranged high school principal
it's really none of his business whether we're present
when the substitute arrives for the table read.

Snow, Heavy at Times, Beginning Around Midnight

Snow-flecked cars snailpace home.
Drivers, belted to seats,
balance thermoses and theorems,
worry layoffs and bills.
Road crews ready their plows.
Schools will be closed, and minds
whited-out, as the snow deepens.

Long Cold Winter  by Grande Ombre

Woman XII

Feeding on her every word
I retire to my room
to compose a sonnet
laced with nesting doves.
She appears on my screen
and casts bittersweets
onto the stones beneath my window.
I am breathless
with second guesses.

You Will Be the Death of Me  by The Lucky Nine

This Trajectory Life #7

This trajectory life may not always be able to engage the moment
but calling upon memory and imagination will manage
somehow to rise above the humdrum of the blank screen
and populate itself with archival emails of indigenous tribes.

Robert and Shana ParkeHarrison

Trading Eights with Storyville's Ghosts

A nun talks about the red light district out of habit
clutches a dog-eared copy of the Blue Book

of fast, faster, fastest women
its pages the color of cheap perfume.

Baby's older brother, Johnny, relaxes on a tailgate
where the Kid's 'bone hangs over the edge.

Behind the block-long bar at Tom Anderson's on Front Street
a dozen bartenders lubricate patrons

for a taste of the sporting life
awaiting them upstairs in private rooms -

100 lightbulbs guiding their way.
Madam Lulu's Mahogany Hall features Mr. Jelly Roll

a sometime pimp and ladies man
who calls himself Doctor Jazz

and likes to make housecalls with his Red Hot Peppers.
The 78 in the background is so scratchy

I can barely hear the steamboat
but it's there

along with the minstrel music and laughter
of long ago Sunday afternoons in Congo Square.

Sometimes White Pebbles

I spot white pebbles
on my way to work
and pocket them
for my daughter.

She's across town
at daycare
in the three-year-old room.
Her mother's already at work.

This day
like so many others
will trudge by
with meetings memos messages.

Later, if we're lucky,
we'll enjoy some time together
apple cider
maybe a story or two.

After she's asleep
I'll place the smooth, white pebbles
beside her bed - a surprise
when she awakens in the morning.

The Roundhouse

Most Sundays we'd drive west ten miles
to a town with a roundhouse
for steam locomotives.
I was four, and mesmerized
by the steel and brass eighteen wheelers
all smoke and steam
that daily wailed through the valley
hauling coal and freight
and passengers
to stations along the Mohawk
with names like Fonda,
Canajoharie, Fort Plain, Little Falls.

The huge roundhouse stood at the center of the yard,
flanked by a water tower and coaling station.
If you ran your hand
along its rough, cinderblock sides
you'd come away with a layer of soot
so thick it would take
a quarter can of Boraxo to remove,
while in the background
your mother'd be warning you
not to mess up the bathroom
she'd spent the better part of Saturday
on hands and knees scrubbing.

We'd watch as yard men
guided the huge black creatures
heaving and spewing
onto the turntable,
then with a roar and fury of steam
into the darkness
of the roundhouse,
where gray-coveralled men
would wipe them down,
minister to their needs
and where I was sure
they'd be sheltered from night.

O. Winston Link

Pigeonman

We'd watch him
sitting there
in the park,
gnarled, weathered,
ornamented with pigeons
and the occasional sparrow,
his numbered hand
disappearing
now and then
into a crumpled sack.

Woman XI

Her harmonics
fill the practice rooms
and hallways
and the spaces
between my days
when she's on the road
traveling
to her next gig.

Zoe Keating

More of the Same

You try to let go of the memory
but the music returns,
without images,
so you google what you recall,
picking and choosing.
Some work, dovetailing
with the spectrum of sounds
traipsing through empty rooms
which only a few days ago
held the magic that most of us -
well, maybe only the lucky ones -
enjoy for months,
sometimes years.
The etchings tell it all,
brimming with desire and ecstasy.
The path cleared, stretching out.
This will have to do.

Robert and Shana ParkeHarrison

PB&J

Of course, the accoutrements.
The insinuation of the inevitable.
Stumbling into Starbuck's
geo-caching
and you're at it again
trying to make last minute changes.
Your entrance isn't until the penultimate scene
whatever the hell that means
but, face it, it's never slowed you down,
not knowing your place
your lines
and though you have captured the envy -
no, too strong -
the curiosity, yes, the curiosity, of a landfill
you've parlayed that
in your mind, not unlike most.

Robert and Shana ParkeHarrison

Living Happily ... After

Here, a fumbling of alternatives.
Dante’s Nine Circles un-numbered,
gift-wrapped, pharmaceuticals
from the local haberdashery.
Well wouldn’t that be peachy!
And you refuse to proceed without direction?
You're right, far too many
have been lost,
shooting from the hip,
especially now with things the way they are.
What? Again?
Instructions will be forthcoming.
Meanwhile, your horoscope will do.
Of course, without foreplay, words fail.
Would the real Joker please stand up?
It was  really good.
Punctuated by trains bumbling through crossings.
The lead-in.
Jumping right to the comments section.
Then the brakes.
Trying to apply the brakes.
Does it matter?  Now?
Now that the best intentions are lost?
You’ll see what I’ve been talking about.
And I could go on.

Robert and Shana ParkeHarrison

This Trajectory Life #6

This trajectory life captures the fancy of hangers-on
who seem to know a bargain when they see one
notwithstanding entanglements or entitlements or estrangements
reminders that the editing must begin before sunset.

Robert and Shana ParkeHarrison

Shed Skin

A homemade cement roller rolls in. A red English racer with chrome fenders and Sturmey Archer hub follows. Cast-iron lawn furniture and garden tools crowd the walls. Presto the Magician appears in the former lab of the Sherlock Holmes Club. A small workbench works a corner. Scraps of wood and window sashes sit on shelves, applauding. Aluminum deck chairs with plastic webbing arrive, along with two dogs, a badminton set. The dogs sleep through the wintry afternoon.

The Healing Power of the Day-to-Day

Across town a priest yawns
while carrying groceries up a church's steep steps

accruing no doubt plenary indulgences
his soles worn from years of ministry.

A few doors away beads of sweat appear
on a short order cook's forehead

as he scrambles eggs for a hard hat
sitting next to a bridegroom with a faraway look.

In the window
a local theater group's announcement

of its two-week summer run of Chekhov
brittles in the early winter sun

while the world's most accurate clock -
a cesium fountain atomic clock -

sits, without hands, in a room in Boulder, Colorado
it's uncertainty having improved

from 1 x 10 ^-15  to 3 x 10 ^-16
since the summer of 2010.

The NIST-F1

Paying Out of Pocket

Not too many people at the mall today.
Could be the weather.
Look, the toothbrushes are all lined up,
happy as clams, waiting for the sale to begin.
Mouthwash might be a wise investment.
I'm sure my accountant would agree.
I think I'll grab a bite in the food court.
Maybe a hot dog with mustard and meat sauce,
the way I used to order them
30, 40 years ago at Steve's Hot Dog Palace,
before Steve ran away with the spoon.
Later I'll check whether the best sellers
are doing just that. Probably
find some discrepancies.
And who knows what magic the kiosks hold?
Or what's showing at the show?
I want to get back home though before the front.
The local meteorologists have been chatting it up.
And you know what that means.