Thursday, July 15, 2021

Screen Dump 572

The discrepancy rang in for the mandatory eight
while you . . . and your shopping cart . . . continued to check
for underlines which would have fit in very nicely . . .
It's really too early to say
but I would urge you to go ahead
before the principals leave the stage for the coda . . .
Have you encouraged others? . . .
Has the segue arrived? . . .
It would indeed be a coup if . . . and only then I might add . . .
So . . . the apps did the trick, yes? . . .
Were the blue books collected mid stream? . . .
Someone came forward gushing appreciation
which is always a hat trick
conjecturing this and that as if tomorrow was yesterday . . .

Peter Lindbergh





Sunday, July 11, 2021

Screen Dump 571

It's not about getting it all down
again feeding your obsession 
a mirroring of psyches
(whatever that means) . . .
Now is not as good a time as any . . .
Your aim is off . . .
The rain . . . a narrow gauge
through backstories
in back alleys all but spent . . .
Odysseyites stocking up on staples
for wintering the summer
at the shore . . . their notebooks
street smart and ready for
close encounters with figments
of  consciousness
hurled out of second floor windows . . .
Insist on paper and pencil
for up close and personals . . .

Maciej Boryna


Wednesday, July 7, 2021

Intermission Piano

Your cousins are in the water.
But you're not.
You're playing intermission piano
on this early July morning
that's just beginning to heat up:
the sand just starting to sting
the voices of your cousins
just starting to get louder.
So you're playing intermission piano
on this early July morning
because sometimes the water is just too cold
sometimes your cousins play just a little too rough.
Intermission piano.
It's kinda scary.
Walking the edge without a musical score
going on what Frank O'Hara called nerve
when he talked about being chased
by someone with a knife.
Intermission piano.
On this early July morning.
So it's good that grandma's here
on the beach
in her housedress
with her beach chair.
And it's good that she's invited you
to sit on her lap for a while
watch your cousins in the water
and slowly wade into the day.



Sunday, July 4, 2021

Screen Dump 570

Buying time to rethink the restoration . . .
When last was just before
and you laid out specs for go-betweens
knowing the endpoint would fade . . .
Now you can . . .
I had hoped to make it back in time . . .
The dream has too many doors
of different colors
and you keep ringing the bell
channeling odysseyites
populating the wakes of dead friends
who remain connected . . .
I want to transcribe your genes
but you skip beats
leaving several in an empty parking lot . . .
The last time was the last time . . .
although with the so-called rebirth
it seems as if we will be able to . . .
I hope so . . . I really do . . .
The printer's cartridge is empty
and the kiosk on the corner is a hog barn . . .
You have been put on hold . . .

Nicholas Cage in Pig (2021)






Sunday, June 27, 2021

Screen Dump 569

You nudge the narrative into the uncharted waters
of a world in which even the least consequential seems precious . . .
Why the homing in on the narrow corridor of sleep? . . .
Have you documented every prompt that makes you smile? . . .
Timing is everything . . .
And what about the coffee shop on the corner
that continues to email you BOGOs
which are fiendishly autodeleted? . . .
You're not sure why . . .
and you're not sure about the address
which keeps changing . . . along with the artisanal blends
seeping into this poem . . .
It's all here . . . in the reworked script . . .
following a plan where a plan seems to fit
or making it up as you go . . . again
capturing overheard music . . . the same tonic and dominant
of loneliness and nostalgia . . .
traipsing through a wetland drenched in blue . . .
the same blue from the Book of Blue . . .
Your foodie friend blabs that reheating and plating carry-outs
feels almost as if you've made it yourself . . .
One can only suppose . . .
And fewer options reduce the tyranny of choice . . .
the shorter leash of the disembodied eye shadowing your search
for the solution to today's Puzzle-Me-This . . .
It's all good, yes? . . .

Irma Haslberger


Thursday, June 24, 2021

All the Lots With Wall Power Sold

(reposted from Friday, July 8, 2011)

A rickety tom looks up at the returning geese
from his curl on the porch. Blackbirds pick
at the front lawn. A glider creaks. Etudes flow
from an open window. Two cars get hosed.
The shutter speed quickens, the shelf life
logged with cereal boxes, coffee grounds.
But the pictures fade, leaving us with ticket stubs
and appetites. Witness the laundry
with its plausible conclusion. I remember
when the machines were installed and how
we laughed at the delivery-man-cum-circus-clown
who arrived with twenty other twenty-somethings
in a dinky car straight from the Sullivan show.
And to think it was time to reshuffle the cards.
Driving away with the two of them sitting
on the back deck surrounded by honey bees
buzzing the refrain, But I'm not doing anything!
And the bridge came tumbling down.
Hula Hoops like camshafts under street lights.
We carried salt shakers for pilfered tomatoes.
A cherry bomb exploded near a stand-in's ear.
I caught hell from two old biddies who ran a still
out of their greenhouse. Was it you who organized
the weekly neighborhood quilting bees?
Of course, there were clarinet lessons
and the drop-off disrupting the watching of
Of Mice and Men with Malkovich and Sinise
riding off into the sunset on the waves at Provincetown.
Pizza vendors, waiting to board a Whale Watch,
sitting on the curb, people-watching. Is a chapter
a week do-able at sixty-seven words a minute?
There never seemed to be enough paper
and important messages were always
being whited-out. Fortunately, all the lots
with wall power sold. We found ourselves
in the boss's office with seven sets of twins
rehearsing a Doublemint commercial.
Once gainfully employed as a retractor,
he disappeared and hasn't resurfaced.
The pond got murky. It's been that way for months
despite the carnival atmosphere. Next time
I'll return the typewriter carriage myself.

Gary Sinise and John Malkovich in Of Mice and Men, 1981




Tuesday, June 8, 2021

Screen Dump 568


Since when the marginalization . . . rooftop days
midtown with odysseyites collecting wrong returns
only to be redirected to restart? . . .
Someone riding shotgun on the freeway . . .
You ask How many are trying to engage? . . .
How many are trying to escape? . . .
The next gambit . . . as if paraphrasing
or pulling together backstories . . .
randomly selecting a layover . . . ongoing . . .
in an effort to teach people how to support one another
and to be supported . . .
Armed with what against mass shootings? . . .
Pulling us along from nothing to nothing . . .
Do the young heed the words of the old? . . .
>>> Insert buzzer here <<<
You have a bunch of blank pages . . .
Unafraid to be lost
as if dismantling then reassembling the craft
to voyage out . . . perhaps beyond the script . . .

Irma Haselberger


Saturday, June 5, 2021

Screen Dump 567

It's all about the inventiveness of angularity, yes? . . .
I know you agree . . .
You recently joined the ranks of the wide-eyes
bottlenecking drive-thrus at Dunkin'
with blue-penciled drafts
soon to-be-returned to students in the final throes of MFAs . . .
To think about building almost into a poem . . .
The days commiserate . . .
The cityscape welcomes . . .
Surely this will be memorialized in someone's journal . . .
You begin taking dictation in the back seat
with a mellow intransigence
that belies a joyful entanglement . . .
You know what I mean . . .
Again, the enigma of who, indicative of autofiction, confuses . . .
How to represent without sanitizing the story? . . .
As if odysseyites would suddenly agree to therapy
to tease out whose swollen ethics will set them free? . . .
Thumbing through the catalog at the exhibit
you stumble upon text that you are sure holds the key
to kiosks belching their goods . . .
their lines ultimately stretching out (a good thing)
after the monochromatic lifestyle shutdown
imposed upon us by aliens . . .
You have always been one to seek growth
always ready for a new take on tradition . . . knowing full well
that reading a poem will seem like rewriting your life
not unlike playing with materials . . . pushing paint . . .
making habitual gestures to get to the surprise gesture . . .
And this so-called anti-self awareness trend? . . .
The obscurantism unintentional
though some - many? - would disagree . . .



Monday, May 31, 2021

 Happy Birthday Walt . . .


A lonely 36-year-old closeted homosexual from a family of misfits, a printer, an editor, a sometimes teacher who hates teaching, loves opera, oratory, the streets, the rivers, bohemianism, reads widely but indiscriminately, an inveterate scribbler, note-taker, self-promoter, huge ego, reinvents himself in a poem, becomes the poem, concussively confident, gutsy, enthusiastically high on life, a Kosmos, embracing everyone and everything, celebrating everyone and everything, inventing a distinctly new art showcasing a presumptive “I” and an  assumptive “you,” unshackling the line, the rhyme, the rhythm; its utter wildness changing the course of world literature; embodying the ideals, attributes, subjects, and speech of his native land, America; foreshadowing Allen Ginsberg’s century-later pronouncement of spontaneous and fearless first thought best thought: his 1855 first edition of Leaves of Grass is far and away the best of all nine; later versions suffer bloat, hamstrung by self-indulgence and overwork; how he did what he did as mysterious as how Shakespeare did what he did; as rivetingly inexplicable as what his contemporary and fellow literary revolutionary Emily Dickinson did; Leaves flips poetry on its head, turns it upside-down, becomes the Holy Grail before which other poets prostrate themselves. (Click here for copy of Poesy Cafe report)

Wednesday, May 26, 2021

Screen Dump 566

Have you bitten off more than you can chew? . . .
Not that you would return to the fine print of the Return Policy
or Photoshop the graduation photos . . .
Which reminds me . . . aren't you going to be late
for the cap and gown? . . .
The well-wishers with their well wishes and all that . . .
Talk about a full plate why don't you? . . .
Back at the showroom someone is running numbers . . .
Who authorized that? . . .
I'm not one to consult about grammar's gray areas but I have to ask
about the proposed colorways . . .

The Zero Theorem (2013)


Friday, May 14, 2021

Screen Dump 565

Your red hair speaks to the Pythagorean notions
of immortality and reincarnation . . . transporting
the fork lifter to a world waiting for
a not-so-hidden table-read
as if dog-walkers claimed hair extensions
in a sultry salon overseen by a Rod Serling lookalike . . .
Weighing the pros and cons and then some
the arrangement of bronzes so as not to provoke
remorseful buyers at checkout . . .
The neighborhood is good to go . . .
You encourage misstatements
and continue to worry bandwidth and board games . . .

Natalie Westling



Thursday, May 13, 2021

Screen Dump 564

Your pretend pudding has long cooled
but hey there's an abundance of what's needed
and isn't that what it's always been about? . . .
I mean we could summon the imaginings . . .
Use a granny gear, I suppose . . .
Are they in place . . . as you had suggested? . . .
I hope so . . . This time tomorrow will not be enough
for an overhaul as predicated by the slots . . .
You have been admirable on countless occasions
opening doors to happy landscapes
applying house paint with a wide horsehair brush
feathering the breaks to blush them . . .
Yes, I think this will work . . .

Chloë Sevigny



Monday, May 10, 2021

Screen Dump 563

To Whom It May Concern sparks suicidal gestures
as if writing code for mental health players . . .
The scene begins with koi breaking the skin of a pond . . . 
You plug gaps in dreams with dissonance
compose drops with sounds . . . not symbols of sounds . . .
the common denominator I saw him/her
a dead end confusing your understanding of place . . .
the place you want to escape to
with Laurie Spiegel's nine-minute Sediments
recorded in the '70s on an analog synthesizer . . .
It speaks to dystopians and soundtracks
the Cornucopia scene in The Hunger Games . . .
otoacoustic emissions spilling over . . .
How do you propose to mark the memory gaps
that seem to have appeared overnight with pods of how-tos
jostling for attention . . . their talk the color of backstory frescoes
unloading demons of erotic curiosity
chalking a pool cue for nine-ball . . .
The clock is relentless . . . too easy to fail at composition
when OS upgrades abandon Music Mouse
and odysseyites enjoy a sabbatical in the Land of Yee . . .

Laurie Spiegel, Electronic Music Pioneer


Friday, April 30, 2021

Screen Dump 562

The paradigm shifts to a bus trip
to an deserted mall
leaving a ceiling fan on the west bank
of the Schoharie servicing
lapsed coders on alternate Thursdays
when buy-ones are put on hold
with heavy metal
for make-believers flown in
for the playalong . . .
This immersion in fantasy is less a chore . . .
a  silent comealong
drenched in line dance
sucking you into a drone's eye . . .
Maybe it's a dress rehearsal
or the beginning of a  two-step . . .
Were you told this at the outset
or after the chapter's chapter? . . .
I didn't think you'd remember . . .
Celebrate the upgrade . . .
We've yet to see beta versions
fill paradoxically . . .

Eugenio Recuenco


Friday, April 23, 2021

Screen Dump 561

I am I and my circumstance.
          - José Ortega y Gasset

Your insistence on redaction conjures the Frankensteins we create . . .
speeding the bus off the razored lot
as if OCD were a cup of tea . . .
The finer points of incidentalism last seen exiting a 7-Eleven . . .
A nine-year-old . . . LOVE imprinted on her t-shirt . . .
We are the sum, if you will . . .
If I will what? . . .
Anarchy . . . how about that? . . .
OK, go on . . .
How about anarchy as an appropriate negation of indifference? . . .
as an affront to indifference? . . .
Indifference? . . .
Catapultists cite the Order of Operations to justify smiting roadies . . .
Bystanders aim smartphones at one another
and TikTok their way into the Hall of Disdain . . .
Conversations continue . . . while awaiting parole . . .
on streets in rooms . . . if I do not save it, I do not save myself . . .

The Evil of Frankenstein (1964)


Tuesday, April 20, 2021

In the April 20, 2021 Pine Hills Review:

Screen Dump 504 The World Fills . . .

The world fills with Eleanor Rigbys
buried without funeral . . . without music . . .
with fossilized smiles
while looters . . . making off with paper weights
disguised as MacBook Pros
demand compensation . . .
Barricades seethe with anger . . .
Your favorite things lie smashed curbside . . .
The healing grows incredibly slow
as if cells object to expending energy
on a jalopy en route to the junk heap . . .
Oh, where have you been, my blue-eyed son? . . .



Sunday, April 18, 2021

Screen Dump 560

The off-road drive-through
the pomp and circumstantial evidence
all mitigated by the thrum
of seeing it disappear . . .
The protocol for riding the rails
reviewed and submitted
for publication
seeks refuge in footnotes . . .
It was the least you could do . . .
A frozen shoulder barks
and is placed on the stand
sworn in by the vicissitudenous
and released on its own recognizance . . .
You try to imagine more
realizing perhaps too late that there's nothing
like putting off a journey
until some convenient interruption
falls off the edge
and walkways lined by tall spruces
install what-have-yous
in the middle of it all
making progress arduous . . .

Liliana Karadjova



Friday, April 16, 2021

Screen Dump 559

The Last Will and Testimony of A. N. Incidentalist

(clear throat)

That you are driving a car-jacked Zamboni through
a museum is a dream . . . has always been a dream . . .
despite embellishments
entanglements
despite hankerers hankering to be repercussed . . .
The blurb reblurbed on the back cover knows this
and knows that there's a motion to redirect
Court TV bingers into a state of submission . . .
or oblivion . . . I forget which . . .
Your acquittal awaits a mistrial
as unnumbered numbers
undocumented
hobbled by ataxia
are cuffed and tagged by rip-roaring
root canal specialists shadowing jut-jawed
body-cam’d body-armored Captain Midnights . . .
We have become incidental . . . and less . . .
written up, photoshopped, parsed . . .
unable to pick up the missing pieces
without being spec’d by facial recognition software . . .
Holding cells belch out closing arguments . . .
It's enough to turn the stomach of a drone . . .
to return the stomach of a drone to the sender's
unknown address . . . this unreasonable specimen
of force smartphoned . . . suspended
in formaldehyde . . . encased in a hidden panel
in a room off-limits to the public . . .
Did you say it couldn't be done or shouldn't be done? . . .
Maybe just for the heck of it by long-limbed dendrites? . . .
I can now imagine the unimaginable . . .

Jarek Kubicki


Thursday, April 15, 2021

Ezra in Exile

(reposted from Friday, February 11, 2011)

His conch collection cameoed in Warhol's Sleep.
He worries the acqua alta and is in demand
as an expert witness on pencil shavings.
Retractions fog his windows.
Cantos clutter the corners.
Mornings, with Olga off to the bakery for violin lessons,
he conducts his words
while tabbies skirt the canals singing his lines.
CPAs rethink their numbers upon hearing his rants.
His blog is blank.
Sundays, he phones his mother
and tells her how much he misses her
potato pancakes and tall tales.
The Coen brothers pester him
for the particulars of his caged life at St. Elizabeth's -
a life spent helping others while pissing them off.
Vendors moor their gondolas outside his palazzo
waiting for him to pass
in cape and broad-brimmed cappello
hawking images, making it new.

Ezra Pound

Tuesday, April 6, 2021

Screen Dump 558

You disregard the cautionary Don't even go there . . .
blind to the blind alley
after which script in hand you dial in an offhandedness
and exit into daylight . . .
the crucial moment reminiscent
of the timelessness of the dance floor . . .
the choreography effortless
as if from a roomful of rehearsals . . .
This moment-to-moment ritual
that opened doors and eyes
on what was never meant to be
was archived . . . to be pulled out
years later . . . again and again
with a nonchalance . . .
a tribute to the resilience of the script . . .
But several times is several times, yes? . . .
The oddity of the re-entanglement . . .
Where were we? . . . ah, yes . . .
The parties engaged fulfilled detached . . .
the dead end irrelevant
the strangeness . . . fodder for documentarians . . .

Anka Zhuravleva


Thursday, April 1, 2021

In April's Chronogram: 

The Dogs in the Trees

The dogs are in the trees again
and they’re barking
waving to their friends
refusing to come down
scratching shedding ordering Chinese
hounding me
to do this
and that.


Monday, March 29, 2021

Screen Dump 557

The problem is not the linebreaks . . .
The problem is the testimonies that are about to begin . . .
Odysseyites wait for words
from a drone streaming hilltowns
covered with backstories . . .
You return to the library's 800 stacks
and experience a momentary lapse . . . relapse? . . .
Why the break in continuity as if a dead zone? . . .
Redundancy resurfaces with flashbacks
of spring afternoons when you tried 
to let your fingers do the walking with études
on the Bösendorfer
in your piano teacher's front room . . .
There was an allotment of sorts
the otherworldlyness of Keith Jarrett's Köln Concert
the innocence of a walk on a tightrope . . .



Saturday, March 27, 2021

Screen Dump 556

Low-keying the doggerel day with indie riders
made-for-TV floaters
notwithstanding nothing
you chat up the circumstances . . .
Costumes tell stories . . .
You stopgap disengagement
with eyes on the guise
as if by happenstance a reshuffling . . .
words guaranteed to trigger images
or your money back, yes? . . .

Ruth Bell


 

Friday, March 26, 2021

Screen Dump 555

Then I went off to fight some battle
That I'd invented inside my head
          - Sting, Fortress Around Your Heart

You tongue the moon . . . and revisit the porcelain day
when you did nothing . . . could do nothing . . .
but move forward into a maelstrom . . .
the initial fascination stripped
compressing the algorithm
which bumbled along
with Wiz Khalifa's Black and Yellow:
Everything I do I do it big . . .
Indeed . . . the door opening to a windowless room
on the other side of the Williamsburg Bridge
soundtracked by Sonny's tenor . . .
You tried to cut the verb free
but you remained Faustian below the surface . . .
a green glow as if from a disemboweled tanker
which began life in the name of the father
as part of a re-enactment in a hotel room
accoutered with sparkling cityscapes . . .
You counted ripples from swim fins in the East River
but managed to enjoy most of the close encounter
ears stuffed with cotton Ã  la Tarantino
as if under the ruins of a walled city . . .
You spent the afternoon riding the L train
rehearsing your lines in French
to embellish the mystery of the audition . . .

Jan Scholz



Saturday, March 20, 2021

 Screen Dump 554

You skip the review class on Skunk Hour
move into a yurt in the Adirondacks
and assail the seasons
with a hulking ribbonless Remington . . .
The days of wine and roses jacknife . . .
Note-taking turns illegitimate
so you make up what you think
the fourth wall wants to say . . .
It's all about The Art of Losing . . .
losing yourself again in a mirror
losing yourself again in a house of mirrors
listening to her voice echo
through the barbaric frat house . . .
the privileged unhinged . . .
The House of Crazy welcomes us . . .
welcomes overcorrection
where menu options are grayed out
but little matter for the unstoppable
who are seldom stopped . . .
The watchers at the gate continue to look the other way
as Jung's collective unconscious vacations
between the lines of this poem . . .
Try not to let it all bother you? . . .
A judge will be the judge of that . . .
given a script and asked to assume the position
of elementary my dear Watson . . .

Jarek Kubicki