Furniture Music
Why choose to be separate from the essential?
- Anne Carson
I thought I saw Catherine Deneuve
a few minutes ago
in a sweater buttoned almost to the neck
but then I remembered
I was in Schenectady New York
rounding a corner
daylight savings 2011
just out of the starting blocks.
I guess I was wrong
but doesn't she hold a chair in philosophy
at some local university
where every Tuesday and Thursday
she sits at the head
of a seminar table and expounds
on the postmodern aspects
of Winnebagos and wing chairs?
Or am I confusing reality
with the French film
The Thieves
in which she plays
a philosophy teacher in Paris
(
I don't love women, I love Juliette!)
a classicist, bent on conserving the past?
Regardless, I have a bone to pick with her
and with all semioticians for that matter.
Where are they when we need them
the professional kind
the ones ensconced
in white trapezoidal uniforms
(maybe that's not the right symbol
but they know what I mean)
making us think the inner dome of heaven
had just crashed onto Mars?
Besides, there's too much talk these days
too much
talk-talk if you will
about contrapuntal blips
and the upcoming installation
being blogged to death
as the inter-ocular event of the hour
featuring a redhead
in a light green Ford Pacer
license plate
S-A-M-E-2-U.
I was in the condiment aisle
checking out a few pinch shoppers
when the news broke.
The midday mist was soupy
so soupy in fact
I could hardly make out the labels.
Should I have rewound the tape?
I think not.
The store manager -
I knew he was the store manager
because he had a photo ID
pinned to his shirt
with the name
Bill Jobs followed by
Store Manager - was blurbing
about his Apple iPad
with Dvorak layout
the key pattern
based upon letter frequencies
introduced in the 1930s
by some efficiency expert
in Seattle Washington
to go head-to-head
with the more popular
and ubiquitous
QWERTY system.
(I hunt and peck
with four fingers and thumb
so the question
of Dvorak or QWERTY
is pretty much moot
though I am a fan
of
Symphony No. 9
From the New World
aka
New World Symphony
although we're probably
talking about a different
Dvorak here.)
Anyway, he - the store manager -
was googling
Arvo Part
the Estonian composer
whose tintinabuli style
based upon mystical experiences
with chant
has given us mesmerizing
arpeggiated pieces
which as I mentioned to a friend
in Bruegger's the other day
would dovetail nicely
with Philip Groning's 2005 film
Into Great Silence
a look at the Carthusian monks
in the French Alps.
I loved every one of its
169 minutes
filled with hooded monks
and snow-capped peaks
after which
a few friends and I
went to a Japanese restaurant
where I ordered sushi
wondering
whether sushi
ever appears
on the Carthusian's menu.
I decided it's flown in
for special occasions
which injected images
of flying fish
into my cortex
so that I began browsing
flying fish artist
and came up with
J. Vincent Scarpace
whose name triggered
memories
of Chicago, Al Capone,
Tommy Guns, speakeasies,
The Untouchables
(the 1959 TV series with Robert Stack
as Elliot Ness NOT the 1987 film
with Kevin
look at me Costner)
St. Valentine's Day,
and a young Al Pacino
but settled ultimately
on artwork
by a schizophrenic patient
displayed in my intro psych text.
I switched majors from English
to Psych in my junior year
and helped one of my psych professors
who was finishing his Ph.D.
open his pool that spring.
His wife served us lunch poolside
in a black one piece
launching me into a fantasy
about psych majors
and faculty wives
no doubt fueled by the release
that year of
The Graduate
starring a very young Dustin Hoffman
as Benjamin opposite Katharine Ross
who went on to become a Stepford wife.
In the film, Benjamin's father's friend,
Mr. McGuire, gives Benjamin
one word of advice
plastics
a myopic suggestion
vis-a-vis the hindsight
of today's landfill sprawl.
Last week
I saw
Last Chance Harvey
with Emma Thompson
that charming atheist
who likes to remind us
that she
feels Scottish
and a 70-something Dustin Hoffman
still cool
still plying the Method
prompting me to browse
YouTube
to replay James Lipton's
2006 interview with Hoffman
the 200th guest to appear
on
Inside the Actors Studio
in what was
serendipitously
the 12th episode of the 12th season.
I guess Anne Carson's right
when she says
You only learn things when you jump in.
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Last Chance Harvey (2008) |