Monday, November 1, 2021

Screen Dump 589

Those days when both of us are on different wrong pages
or different wrong sides . . .
I know you thought it was a dream
or an instant replay . . . but no, the morning
was elbowed out by some startup's beta version
all promises and what have you
new and improved . . . supposedly better
the relativity of GoFundMe better . . .
Nonetheless the streets have been prepped
for something . . . yet another dethroning
of  politicos? . . . The incumbent impediments
and control of the center of the board . . .
Please don't hope for the best . . .
Who me? . . . I don't think so . . .
The weird thing is I've misplaced the passcode
to your voice
and now I'm in the throes
of  reconstructing the front end from memory . . .
Why the itinerary of thoughts? . . .
Is it time to go? . . .
Yes, wake up, get dressed, it's time to go . . . I am smitten
with to-dos and can't wait to see how today plays out . . .

Lydia Roberts





Saturday, October 30, 2021

 Screen Dump 588

Time speeds through you . . . bidirectionally . . .
The ceiling fan spins tales of inundation . . .
How emulators seek justification
for hoarding . . .
The need to hold onto some semblance
of your past waking life
in all its preciousness . . .
The get-gos are gone . . . and will not be back
anytime soon . . . if at all . . .
There was a time and place
for some of us
but the clocks changed
so the players anteed-up
thinking they'd return and decide what to do
as if their lives were haikus without seasons . . .

Lydia Roberts


Wednesday, October 20, 2021

Screen Dump 587

Then they asked about directing solo performances
the credibility of misplaced modifiers
whether it was more difficult than directing a group of actors
and you knee-jerked
manipulating the interior monologue
for all to see
words and images bailing
arms raised . . . as if opening the book to the moment
the stage suddenly overrun with excerpts from
Didion's Book of Common Prayer . . .
But it's not really that, is it? . . .
What do you mean? . . .
You know . . . the commonplace we all inspire
when tackled mid-run
the instant replays . . . in slo-mo
buckets brought out as if this had been written
the well-intentioned escaping in their high-end SUVs . . .
You reopen to the dilemma of desire
your crib notes wrinkled by the winters of our discontent
featuring quick-study shadowers
who bronze footnotes of hidden agendas
that by force and against their will you made them eat . . .
The truth grieves me . . .
It grieves us all . . .
despite the rules against showing pain . . .
The seduction of the arrival gets their goat
and they more often than not collapse into the fourth wall . . .
Directing solo performances? . . .
Of course, proceed with an enigma dried to perfection
showcased against the missing . . .

Meg Sullivan in MegAnneMaud (2009)


Thursday, October 14, 2021

Screen Dump 586

Your early old age enters the Land of Foreign Bodies
where quick-to-ensnare logicians emeriti map rescue distances
always rescue distances . . .
It's not something for the pulchritudinous
who would insist otherwise with their twittered tattoos . . .
The community idiom is at the top of someone's list
of inappropriate pours . . . on-site distractions
glance-thieves all . . .
I am beside herself, yes? . . .
The Real Deal has been kicked up several notches . . .
As requested, I too have submitted my request
to the shadow boxers on Main
running in place with ankle weights
ramped-up with ebikes . . . their relentless
pursuit of dotted lines almost says it all
but without the missing pieces the end-all totters . . .
Why the snaps of an empty room? . . .
You must know he/she in solo garb meant well . . . I suppose . . .
The waters beyond the Great Barrier Reef
with its 14 degrees of latitude
continue to trump our six degrees of separation, yes? . . .

C-3PO


Thursday, October 7, 2021

Screen Dump 585

But the hands are a dead giveaway . . . then too the drama of the face . . .
The moments of anticipation . . . excitement . . . inklings
into the perhaps . . . retooling yourself for elsewhere
as if the curtain call had been recalled
and you boarded the ship of happenstance . . .
Meanwhile upticks in loss continue . . . increase . . .
There will be no retake . . . no remake . . . you disembarked at that point
and set out . . . this and not this . . . that . . . etcetera . . .

Anka Zhuravleva


Sunday, October 3, 2021

Screen Dump 584

Downward and downward
as if a prayer for words that holds open the door
to a dreamscape with you in an orange grove above the sea
and once a mountain covered in snow . . .
You found comfort at the entrance to a covered bridge . . .
Odysseyites provide blankets . . . at times a postcard . . .
Each day the stone steps of the climb
to a hillside town with costumed go-betweens
reciting lines long lost carry you . . .
I would have preferred collecting paper cuts
but you insisted . . . then everything changed and we were left
with a set of hieroglyphs for reassembling life
suited to the colorways that were chosen
by drivebys on their way out with diminishing returns . . .

Alina Lebedeva


Wednesday, September 29, 2021

Screen Dump 583

No, not never . . . the end flashing on the screen
collecting empties from the thems that got
surprised when looking through the wrong end of a telescope
everything . . . and everyone . . . small . . . manageable . . .
Of course, that's when the scene ends
and the midnights elbow in with rewrites . . .
You, under cover, I mean, you, under the covers
replay the drama of rain . . . looking through the glass
as extras plod across . . . Across what? . . .
I dunno, across the moors, how's that? . . .
Did you say you got a callback? . . .
You pulled out the stops to your life as remainder
threw open the drapes . . . Proust-like . . . and now? . . .
Look at the trees at the edge of the world . . . 
They're talking to you . . . recounting the time
you wanted to run . . . go back . . . as we all wish . . .
Am I spinning my wheels here? . . .
Is it all bullshit . . . all window dressing for the camera obscura? . . .
Or are you readying yourself once again to get
into the driver's seat . . . despite the cracked pleather
and transform yourself into a journey
back to the blank page with odysseyites clamoring for more? . . .
Spectators flown in to populate the front row
await assurance . . . and who can blame them? . . .
They've walked the walk of sidewalk days
trying to find the door that you told them would welcome
their penmanship . . . their words . . . within which . . .

Aneta Ivanova


Monday, September 20, 2021

Screen Dump 582

The joy of opening your eyes to the previously unseen
moves you to freefall . . . to cast yourself off . . . oarless . . . 
You traffic in fragmentation . . . savoring the elements
that seem to defy comprehension . . . The exciting almost
of the flight of nearness with you on a bicycle
speeding downhill . . . enjoying the random blundering
in concepts too fine for the timid . . . embracing the inevitable
record of failure . . . of not saying what you want to say
not because you shy away but because words fall short  . . .

Beverly Peel & Tyra Banks


Friday, September 10, 2021

Screen Dump 581

Ghosts of gentle lunatics guide your latest revisions
the irregular folds of happenstance weigh in with blurbs
from spiral-bound collections of origami . . .
Your world has become labyrinthine . . .
You retreat into your altered ego, dreaming yourself
an alien inventorying costumes
in a shabby off-the-grid B&B
brimming with knockoffs of Golden Books
a sort of meta-metaphor for time ill-spent . . .
You await your cue to enter the scene
of a wake . . . half-expecting a downpour but the anonymity of rain
surprises you . . . flooding the reshoot and washing away
the drafty monologues of auditionees . . .

Nina Hoss in Returning to Reims (2018)


Tuesday, September 7, 2021

Screen Dump 580

The revised ambiance unsettles go-betweens . . .
Many remember overhauls with a sparkling clarity
which seemed to ease their entrance . . .
With so many awaiting callbacks
why bother craning your neck to grab hold? . . .
If only I had an app, I would . . . indeed I would . . .
What's with the smock? . . .
Do you anticipate a splattering of the nonsensical?
a reassignment of metaphor? . . .
Now there's a welcoming conundrum . . .
Of course, without more to go on, it seems as if
the hodgepodgers are in ascendance . . .
Nothing much to add, so you may as well head out . . .

Nina Hoss


Thursday, September 2, 2021

Screen Dump 579

A casual craziness-troubling genre
informs your carefully choreographed appearances
the bird's-eye view stuffing your pockets
with to-dos . . . Odysseyites found
in translations wander Commercial Street
among the masked . . .
The lunch hour bottlenecks at the food truck
which sports a new paintjob and new menu
redirecting you back
to your elementary school cafeteria
where you usually sat . . . alone
at a crumb-encrusted table . . .
You manage a wrap . . . then slip back
into seclusion . . . into the solace of words
fabricating fake dramas populated by flâneuses
who take explorations of cities
as their calling . . . and are rewarded
their occasional unstable footing forcing the body
to adapt to a new balance . . . a new world . . .



Wednesday, August 25, 2021

Screen Dump 578

And at dawn, armed with fiery patience, we will enter splendid cities.
          - Arthur Rimbaud, A Season In Hell

You are the perfect subject . . . rehearsing
monologues of introspection . . . flip-flopping
intuitive . . . costumed . . . in an enigmatic "don't ask me how" way
as if inhabiting a meandering fortune cookie
managing chance . . . hoping for the best . . .
Your incomprehensible gestures tag folly
and make for an exquisite shoot . . . little matter that
the limo's tires are flatted fifths
documenting your ebb and flow . . .
No worries that you will not get your due
that you will miss the opening
and be set adrift with an uncharted script
that the unprimed span of canvas
will not give you enough room to breathe
to stretch out, get air, vet your place in the sun
without a mime's sounds of silence . . .
The gates to splendid cities open to you . . .
There have always been . . . and always will be . . . illusions
fertile destabilizations . . . like a disordered collection
of yellowing snapshots from your celebrated future waking life . . .

Irma Haselberger


Friday, August 13, 2021

Screen Dump 577

Like an MRI of your alphabet asking for seconds . . . and thirds . . .
There are options . . . always, options
selecting players randomly using machine language . . .
Your 50-minute hour mutates into a mini-doc 
of 20 faux pas . . . with odysseyites flown in for a re-enactment
that has nothing to do with anything . . .
You have become enamored of place . . . this place . . .
The way it was . . . The way it is . . .
Your distant closeness colors the world . . .
Your periscope however stubborn locks on the loneliness 
of marionettes . . . whose strings are tied to rehearsals
of twelve-tone musical compositions in forsaken music halls . . .

DiFilippo Marionette Theater Company


Friday, August 6, 2021

Screen Dump 576

And their stories of course . . . sometimes two three four deep
too deep? . . . their riddles . . . idiosyncrasies
their egos . . . following the dotted lines . . . boringly
always the same . . . costumes googled . . . gestures formulaic
predictable . . . yet humorous . . . entertaining . . .
So you do whatever you do to step up to the plate
to placate them . . . tease them . . . with movements-a-plenty . . .
Is this getting old? . . . Is it? . . .
Quickly . . . cover it with books, envelopes, yesterday's mail . . .
I can do this . . . yes, I can do this
and get something out of it . . . the gold ring
of the merrier-than-thou-merry-go-round . . . 
A flash of your father at an amusement park lifting you
onto a wooden horse . . . the Trojan Horse of your adolescence
stuffed with horns-a-plenty
when you stepped out of your chubby self
and into the lights and drama of the fashionistas' world . . .
You should have seen me then? . . .
But I did . . . and I was stamped with pleasure which ran up and down
and through me like wolves on a hunt . . .
The slack waves listed . . . deconstructed . . . like nothing else . . .

Irma Haselberger


Wednesday, August 4, 2021

Screen Dump 575

Not unlike the churning poor . . . the begging-off
too small to bother with
to remove from the back seat
like a short story or piece of flash fiction
as if waddling along the wood's edge
the weariness, yes, the weariness
of driving through rain
to reach the end . . . of the scene . . .
Deadbeats mastering backbeats
waiting for the waiting for . . .
the ramifications thereof . . . the sidewalk
middling midterm midday midtown midsection . . .
I am become Godot . . . engendering happenstance
the nomenclature of pigeonholers on break
when the urge becomes as overpowering
as kayaks through whitewater . . .
Collecting the memes of arias . . .
There is much to be savored
on the screen at a weed-choked drive-in
the struggle with the speaker on the window recalled
the choreography of the tenacious front seat
then the stimming accompanied by
the truth taking stare state of mind
that precedes a breakdown/breakthrough? . . .

Marta Forsberg, Composer


Saturday, July 24, 2021

Screen Dump 574

You collect blow-ins from magazines for collages
of skateboarders shredding abandoned screenplays . . .
Curators off-camera interview orphans
in Adirondack chairs . . . connecting the dots
to the nonsensical as if in response to What did you expect? . . .
But it's all there . . . well, sort of . . .
Your fascination with figuration
your writing between the lines
walking the dunes to the lighthouse
during low tide's non-credit course
which you audited as if the brittle microfiche
would point a finger at incompleters
who partied with odysseyites
before disappearing in a late-model non-sequitur . . .
Then it was back to the blue screen
with Miles playing Bill Evans's Blue In Green
making it a loss for words . . .
Besides, this time next year will be the same time this year . . .
You can't not imagine how . . . how the heavens opened
and post-impressionists weighed in
with a muted palette 
while a storm waited at the blue in green light
prepping us for tomorrow's time trial . . .

David Benoliel


Monday, July 19, 2021

Screen Dump 573

After that there was little left to say
especially with the rain . . . which fell
past the place settings . . .
Instead of bailing, you disappeared
into the anomalies of time
but now you're back in the middle of an aria . . .
Quite providential, yes? . . .
There have been days of high drama
with few breaks in the dialogue
which made its way along some coastal route
pinned with tourist traps . . .
The filming continues . . .
especially the avatars of time and place
as if in the heart of darkness someone said
Thanks for the memories . . .
You had asked for the full catastrophe
and were taken aback by the preponderance
of rehearsals . . . all for the better one would hope . . .

David Benoliel


Thursday, July 15, 2021

Screen Dump 572

The discrepancy rang in for the mandatory eight
while you . . . and your shopping cart . . . continued to check
for underlines which would have fit in very nicely . . .
It's really too early to say
but I would urge you to go ahead
before the principals leave the stage for the coda . . .
Have you encouraged others? . . .
Has the segue arrived? . . .
It would indeed be a coup if . . . and only then I might add . . .
So . . . the apps did the trick, yes? . . .
Were the blue books collected mid stream? . . .
Someone came forward gushing appreciation
which is always a hat trick
conjecturing this and that as if tomorrow was yesterday . . .

Peter Lindbergh





Sunday, July 11, 2021

Screen Dump 571

It's not about getting it all down
again feeding your obsession 
a mirroring of psyches
(whatever that means) . . .
Now is not as good a time as any . . .
Your aim is off . . .
The rain . . . a narrow gauge
through backstories
in back alleys all but spent . . .
Odysseyites stocking up on staples
for wintering the summer
at the shore . . . their notebooks
street smart and ready for
close encounters with figments
of  consciousness
hurled out of second floor windows . . .
Insist on paper and pencil
for up close and personals . . .

Maciej Boryna


Wednesday, July 7, 2021

Intermission Piano

Your cousins are in the water.
But you're not.
You're playing intermission piano
on this early July morning
that's just beginning to heat up:
the sand just starting to sting
the voices of your cousins
just starting to get louder.
So you're playing intermission piano
on this early July morning
because sometimes the water is just too cold
sometimes your cousins play just a little too rough.
Intermission piano.
It's kinda scary.
Walking the edge without a musical score
going on what Frank O'Hara called nerve
when he talked about being chased
by someone with a knife.
Intermission piano.
On this early July morning.
So it's good that grandma's here
on the beach
in her housedress
with her beach chair.
And it's good that she's invited you
to sit on her lap for a while
watch your cousins in the water
and slowly wade into the day.



Sunday, July 4, 2021

Screen Dump 570

Buying time to rethink the restoration . . .
When last was just before
and you laid out specs for go-betweens
knowing the endpoint would fade . . .
Now you can . . .
I had hoped to make it back in time . . .
The dream has too many doors
of different colors
and you keep ringing the bell
channeling odysseyites
populating the wakes of dead friends
who remain connected . . .
I want to transcribe your genes
but you skip beats
leaving several in an empty parking lot . . .
The last time was the last time . . .
although with the so-called rebirth
it seems as if we will be able to . . .
I hope so . . . I really do . . .
The printer's cartridge is empty
and the kiosk on the corner is a hog barn . . .
You have been put on hold . . .

Nicholas Cage in Pig (2021)






Sunday, June 27, 2021

Screen Dump 569

You nudge the narrative into the uncharted waters
of a world in which even the least consequential seems precious . . .
Why the homing in on the narrow corridor of sleep? . . .
Have you documented every prompt that makes you smile? . . .
Timing is everything . . .
And what about the coffee shop on the corner
that continues to email you BOGOs
which are fiendishly autodeleted? . . .
You're not sure why . . .
and you're not sure about the address
which keeps changing . . . along with the artisanal blends
seeping into this poem . . .
It's all here . . . in the reworked script . . .
following a plan where a plan seems to fit
or making it up as you go . . . again
capturing overheard music . . . the same tonic and dominant
of loneliness and nostalgia . . .
traipsing through a wetland drenched in blue . . .
the same blue from the Book of Blue . . .
Your foodie friend blabs that reheating and plating carry-outs
feels almost as if you've made it yourself . . .
One can only suppose . . .
And fewer options reduce the tyranny of choice . . .
the shorter leash of the disembodied eye shadowing your search
for the solution to today's Puzzle-Me-This . . .
It's all good, yes? . . .

Irma Haslberger


Thursday, June 24, 2021

All the Lots With Wall Power Sold

(reposted from Friday, July 8, 2011)

A rickety tom looks up at the returning geese
from his curl on the porch. Blackbirds pick
at the front lawn. A glider creaks. Etudes flow
from an open window. Two cars get hosed.
The shutter speed quickens, the shelf life
logged with cereal boxes, coffee grounds.
But the pictures fade, leaving us with ticket stubs
and appetites. Witness the laundry
with its plausible conclusion. I remember
when the machines were installed and how
we laughed at the delivery-man-cum-circus-clown
who arrived with twenty other twenty-somethings
in a dinky car straight from the Sullivan show.
And to think it was time to reshuffle the cards.
Driving away with the two of them sitting
on the back deck surrounded by honey bees
buzzing the refrain, But I'm not doing anything!
And the bridge came tumbling down.
Hula Hoops like camshafts under street lights.
We carried salt shakers for pilfered tomatoes.
A cherry bomb exploded near a stand-in's ear.
I caught hell from two old biddies who ran a still
out of their greenhouse. Was it you who organized
the weekly neighborhood quilting bees?
Of course, there were clarinet lessons
and the drop-off disrupting the watching of
Of Mice and Men with Malkovich and Sinise
riding off into the sunset on the waves at Provincetown.
Pizza vendors, waiting to board a Whale Watch,
sitting on the curb, people-watching. Is a chapter
a week do-able at sixty-seven words a minute?
There never seemed to be enough paper
and important messages were always
being whited-out. Fortunately, all the lots
with wall power sold. We found ourselves
in the boss's office with seven sets of twins
rehearsing a Doublemint commercial.
Once gainfully employed as a retractor,
he disappeared and hasn't resurfaced.
The pond got murky. It's been that way for months
despite the carnival atmosphere. Next time
I'll return the typewriter carriage myself.

Gary Sinise and John Malkovich in Of Mice and Men, 1981




Tuesday, June 8, 2021

Screen Dump 568


Since when the marginalization . . . rooftop days
midtown with odysseyites collecting wrong returns
only to be redirected to restart? . . .
Someone riding shotgun on the freeway . . .
You ask How many are trying to engage? . . .
How many are trying to escape? . . .
The next gambit . . . as if paraphrasing
or pulling together backstories . . .
randomly selecting a layover . . . ongoing . . .
in an effort to teach people how to support one another
and to be supported . . .
Armed with what against mass shootings? . . .
Pulling us along from nothing to nothing . . .
Do the young heed the words of the old? . . .
>>> Insert buzzer here <<<
You have a bunch of blank pages . . .
Unafraid to be lost
as if dismantling then reassembling the craft
to voyage out . . . perhaps beyond the script . . .

Irma Haselberger


Saturday, June 5, 2021

Screen Dump 567

It's all about the inventiveness of angularity, yes? . . .
I know you agree . . .
You recently joined the ranks of the wide-eyes
bottlenecking drive-thrus at Dunkin'
with blue-penciled drafts
soon to-be-returned to students in the final throes of MFAs . . .
To think about building almost into a poem . . .
The days commiserate . . .
The cityscape welcomes . . .
Surely this will be memorialized in someone's journal . . .
You begin taking dictation in the back seat
with a mellow intransigence
that belies a joyful entanglement . . .
You know what I mean . . .
Again, the enigma of who, indicative of autofiction, confuses . . .
How to represent without sanitizing the story? . . .
As if odysseyites would suddenly agree to therapy
to tease out whose swollen ethics will set them free? . . .
Thumbing through the catalog at the exhibit
you stumble upon text that you are sure holds the key
to kiosks belching their goods . . .
their lines ultimately stretching out (a good thing)
after the monochromatic lifestyle shutdown
imposed upon us by aliens . . .
You have always been one to seek growth
always ready for a new take on tradition . . . knowing full well
that reading a poem will seem like rewriting your life
not unlike playing with materials . . . pushing paint . . .
making habitual gestures to get to the surprise gesture . . .
And this so-called anti-self awareness trend? . . .
The obscurantism unintentional
though some - many? - would disagree . . .



Monday, May 31, 2021

 Happy Birthday Walt . . .


A lonely 36-year-old closeted homosexual from a family of misfits, a printer, an editor, a sometimes teacher who hates teaching, loves opera, oratory, the streets, the rivers, bohemianism, reads widely but indiscriminately, an inveterate scribbler, note-taker, self-promoter, huge ego, reinvents himself in a poem, becomes the poem, concussively confident, gutsy, enthusiastically high on life, a Kosmos, embracing everyone and everything, celebrating everyone and everything, inventing a distinctly new art showcasing a presumptive “I” and an  assumptive “you,” unshackling the line, the rhyme, the rhythm; its utter wildness changing the course of world literature; embodying the ideals, attributes, subjects, and speech of his native land, America; foreshadowing Allen Ginsberg’s century-later pronouncement of spontaneous and fearless first thought best thought: his 1855 first edition of Leaves of Grass is far and away the best of all nine; later versions suffer bloat, hamstrung by self-indulgence and overwork; how he did what he did as mysterious as how Shakespeare did what he did; as rivetingly inexplicable as what his contemporary and fellow literary revolutionary Emily Dickinson did; Leaves flips poetry on its head, turns it upside-down, becomes the Holy Grail before which other poets prostrate themselves. (Click here for copy of Poesy Cafe report)

Wednesday, May 26, 2021

Screen Dump 566

Have you bitten off more than you can chew? . . .
Not that you would return to the fine print of the Return Policy
or Photoshop the graduation photos . . .
Which reminds me . . . aren't you going to be late
for the cap and gown? . . .
The well-wishers with their well wishes and all that . . .
Talk about a full plate why don't you? . . .
Back at the showroom someone is running numbers . . .
Who authorized that? . . .
I'm not one to consult about grammar's gray areas but I have to ask
about the proposed colorways . . .

The Zero Theorem (2013)


Friday, May 14, 2021

Screen Dump 565

Your red hair speaks to the Pythagorean notions
of immortality and reincarnation . . . transporting
the fork lifter to a world waiting for
a not-so-hidden table-read
as if dog-walkers claimed hair extensions
in a sultry salon overseen by a Rod Serling lookalike . . .
Weighing the pros and cons and then some
the arrangement of bronzes so as not to provoke
remorseful buyers at checkout . . .
The neighborhood is good to go . . .
You encourage misstatements
and continue to worry bandwidth and board games . . .

Natalie Westling



Thursday, May 13, 2021

Screen Dump 564

Your pretend pudding has long cooled
but hey there's an abundance of what's needed
and isn't that what it's always been about? . . .
I mean we could summon the imaginings . . .
Use a granny gear, I suppose . . .
Are they in place . . . as you had suggested? . . .
I hope so . . . This time tomorrow will not be enough
for an overhaul as predicated by the slots . . .
You have been admirable on countless occasions
opening doors to happy landscapes
applying house paint with a wide horsehair brush
feathering the breaks to blush them . . .
Yes, I think this will work . . .

Chloë Sevigny



Monday, May 10, 2021

Screen Dump 563

To Whom It May Concern sparks suicidal gestures
as if writing code for mental health players . . .
The scene begins with koi breaking the skin of a pond . . . 
You plug gaps in dreams with dissonance
compose drops with sounds . . . not symbols of sounds . . .
the common denominator I saw him/her
a dead end confusing your understanding of place . . .
the place you want to escape to
with Laurie Spiegel's nine-minute Sediments
recorded in the '70s on an analog synthesizer . . .
It speaks to dystopians and soundtracks
the Cornucopia scene in The Hunger Games . . .
otoacoustic emissions spilling over . . .
How do you propose to mark the memory gaps
that seem to have appeared overnight with pods of how-tos
jostling for attention . . . their talk the color of backstory frescoes
unloading demons of erotic curiosity
chalking a pool cue for nine-ball . . .
The clock is relentless . . . too easy to fail at composition
when OS upgrades abandon Music Mouse
and odysseyites enjoy a sabbatical in the Land of Yee . . .

Laurie Spiegel, Electronic Music Pioneer


Friday, April 30, 2021

Screen Dump 562

The paradigm shifts to a bus trip
to an deserted mall
leaving a ceiling fan on the west bank
of the Schoharie servicing
lapsed coders on alternate Thursdays
when buy-ones are put on hold
with heavy metal
for make-believers flown in
for the playalong . . .
This immersion in fantasy is less a chore . . .
a  silent comealong
drenched in line dance
sucking you into a drone's eye . . .
Maybe it's a dress rehearsal
or the beginning of a  two-step . . .
Were you told this at the outset
or after the chapter's chapter? . . .
I didn't think you'd remember . . .
Celebrate the upgrade . . .
We've yet to see beta versions
fill paradoxically . . .

Eugenio Recuenco


Friday, April 23, 2021

Screen Dump 561

I am I and my circumstance.
          - José Ortega y Gasset

Your insistence on redaction conjures the Frankensteins we create . . .
speeding the bus off the razored lot
as if OCD were a cup of tea . . .
The finer points of incidentalism last seen exiting a 7-Eleven . . .
A nine-year-old . . . LOVE imprinted on her t-shirt . . .
We are the sum, if you will . . .
If I will what? . . .
Anarchy . . . how about that? . . .
OK, go on . . .
How about anarchy as an appropriate negation of indifference? . . .
as an affront to indifference? . . .
Indifference? . . .
Catapultists cite the Order of Operations to justify smiting roadies . . .
Bystanders aim smartphones at one another
and TikTok their way into the Hall of Disdain . . .
Conversations continue . . . while awaiting parole . . .
on streets in rooms . . . if I do not save it, I do not save myself . . .

The Evil of Frankenstein (1964)


Tuesday, April 20, 2021

In the April 20, 2021 Pine Hills Review:

Screen Dump 504 The World Fills . . .

The world fills with Eleanor Rigbys
buried without funeral . . . without music . . .
with fossilized smiles
while looters . . . making off with paper weights
disguised as MacBook Pros
demand compensation . . .
Barricades seethe with anger . . .
Your favorite things lie smashed curbside . . .
The healing grows incredibly slow
as if cells object to expending energy
on a jalopy en route to the junk heap . . .
Oh, where have you been, my blue-eyed son? . . .



Sunday, April 18, 2021

Screen Dump 560

The off-road drive-through
the pomp and circumstantial evidence
all mitigated by the thrum
of seeing it disappear . . .
The protocol for riding the rails
reviewed and submitted
for publication
seeks refuge in footnotes . . .
It was the least you could do . . .
A frozen shoulder barks
and is placed on the stand
sworn in by the vicissitudenous
and released on its own recognizance . . .
You try to imagine more
realizing perhaps too late that there's nothing
like putting off a journey
until some convenient interruption
falls off the edge
and walkways lined by tall spruces
install what-have-yous
in the middle of it all
making progress arduous . . .

Liliana Karadjova



Friday, April 16, 2021

Screen Dump 559

The Last Will and Testimony of A. N. Incidentalist

(clear throat)

That you are driving a car-jacked Zamboni through
a museum is a dream . . . has always been a dream . . .
despite embellishments
entanglements
despite hankerers hankering to be repercussed . . .
The blurb reblurbed on the back cover knows this
and knows that there's a motion to redirect
Court TV bingers into a state of submission . . .
or oblivion . . . I forget which . . .
Your acquittal awaits a mistrial
as unnumbered numbers
undocumented
hobbled by ataxia
are cuffed and tagged by rip-roaring
root canal specialists shadowing jut-jawed
body-cam’d body-armored Captain Midnights . . .
We have become incidental . . . and less . . .
written up, photoshopped, parsed . . .
unable to pick up the missing pieces
without being spec’d by facial recognition software . . .
Holding cells belch out closing arguments . . .
It's enough to turn the stomach of a drone . . .
to return the stomach of a drone to the sender's
unknown address . . . this unreasonable specimen
of force smartphoned . . . suspended
in formaldehyde . . . encased in a hidden panel
in a room off-limits to the public . . .
Did you say it couldn't be done or shouldn't be done? . . .
Maybe just for the heck of it by long-limbed dendrites? . . .
I can now imagine the unimaginable . . .

Jarek Kubicki


Thursday, April 15, 2021

Ezra in Exile

(reposted from Friday, February 11, 2011)

His conch collection cameoed in Warhol's Sleep.
He worries the acqua alta and is in demand
as an expert witness on pencil shavings.
Retractions fog his windows.
Cantos clutter the corners.
Mornings, with Olga off to the bakery for violin lessons,
he conducts his words
while tabbies skirt the canals singing his lines.
CPAs rethink their numbers upon hearing his rants.
His blog is blank.
Sundays, he phones his mother
and tells her how much he misses her
potato pancakes and tall tales.
The Coen brothers pester him
for the particulars of his caged life at St. Elizabeth's -
a life spent helping others while pissing them off.
Vendors moor their gondolas outside his palazzo
waiting for him to pass
in cape and broad-brimmed cappello
hawking images, making it new.

Ezra Pound

Tuesday, April 6, 2021

Screen Dump 558

You disregard the cautionary Don't even go there . . .
blind to the blind alley
after which script in hand you dial in an offhandedness
and exit into daylight . . .
the crucial moment reminiscent
of the timelessness of the dance floor . . .
the choreography effortless
as if from a roomful of rehearsals . . .
This moment-to-moment ritual
that opened doors and eyes
on what was never meant to be
was archived . . . to be pulled out
years later . . . again and again
with a nonchalance . . .
a tribute to the resilience of the script . . .
But several times is several times, yes? . . .
The oddity of the re-entanglement . . .
Where were we? . . . ah, yes . . .
The parties engaged fulfilled detached . . .
the dead end irrelevant
the strangeness . . . fodder for documentarians . . .

Anka Zhuravleva


Thursday, April 1, 2021

In April's Chronogram: 

The Dogs in the Trees

The dogs are in the trees again
and they’re barking
waving to their friends
refusing to come down
scratching shedding ordering Chinese
hounding me
to do this
and that.


Monday, March 29, 2021

Screen Dump 557

The problem is not the linebreaks . . .
The problem is the testimonies that are about to begin . . .
Odysseyites wait for words
from a drone streaming hilltowns
covered with backstories . . .
You return to the library's 800 stacks
and experience a momentary lapse . . . relapse? . . .
Why the break in continuity as if a dead zone? . . .
Redundancy resurfaces with flashbacks
of spring afternoons when you tried 
to let your fingers do the walking with études
on the Bösendorfer
in your piano teacher's front room . . .
There was an allotment of sorts
the otherworldlyness of Keith Jarrett's Köln Concert
the innocence of a walk on a tightrope . . .



Saturday, March 27, 2021

Screen Dump 556

Low-keying the doggerel day with indie riders
made-for-TV floaters
notwithstanding nothing
you chat up the circumstances . . .
Costumes tell stories . . .
You stopgap disengagement
with eyes on the guise
as if by happenstance a reshuffling . . .
words guaranteed to trigger images
or your money back, yes? . . .

Ruth Bell


 

Friday, March 26, 2021

Screen Dump 555

Then I went off to fight some battle
That I'd invented inside my head
          - Sting, Fortress Around Your Heart

You tongue the moon . . . and revisit the porcelain day
when you did nothing . . . could do nothing . . .
but move forward into a maelstrom . . .
the initial fascination stripped
compressing the algorithm
which bumbled along
with Wiz Khalifa's Black and Yellow:
Everything I do I do it big . . .
Indeed . . . the door opening to a windowless room
on the other side of the Williamsburg Bridge
soundtracked by Sonny's tenor . . .
You tried to cut the verb free
but you remained Faustian below the surface . . .
a green glow as if from a disemboweled tanker
which began life in the name of the father
as part of a re-enactment in a hotel room
accoutered with sparkling cityscapes . . .
You counted ripples from swim fins in the East River
but managed to enjoy most of the close encounter
ears stuffed with cotton Ã  la Tarantino
as if under the ruins of a walled city . . .
You spent the afternoon riding the L train
rehearsing your lines in French
to embellish the mystery of the audition . . .

Jan Scholz



Saturday, March 20, 2021

 Screen Dump 554

You skip the review class on Skunk Hour
move into a yurt in the Adirondacks
and assail the seasons
with a hulking ribbonless Remington . . .
The days of wine and roses jacknife . . .
Note-taking turns illegitimate
so you make up what you think
the fourth wall wants to say . . .
It's all about The Art of Losing . . .
losing yourself again in a mirror
losing yourself again in a house of mirrors
listening to her voice echo
through the barbaric frat house . . .
the privileged unhinged . . .
The House of Crazy welcomes us . . .
welcomes overcorrection
where menu options are grayed out
but little matter for the unstoppable
who are seldom stopped . . .
The watchers at the gate continue to look the other way
as Jung's collective unconscious vacations
between the lines of this poem . . .
Try not to let it all bother you? . . .
A judge will be the judge of that . . .
given a script and asked to assume the position
of elementary my dear Watson . . .

Jarek Kubicki


Friday, March 19, 2021

 Screen Dump 553

But what of the depressive realism of social scientists
suggesting that depressed people see the world more clearly? . . .
The dunes hustle geometry
vacillating between high and low
overthinking the moment instead of living in it
as if claustrophobically trapped inside yourself . . .
Again, Teshigahara's Woman in the Dunes . . .
You have come to enjoy the space between thinking and doing . . .
The odyssey . . . once exciting now cacophonous . . .
trains and boats and planes
opening to the carefully choreographed . . .
Your notes . . . illegible . . . but you knew that . . .
You blew them off
and Facebooked the afternoon
trying to control the center of the board
lip-syncing Benjamin Clementine's nemesis
after binging The Morning Show . . .
March on
March on
It's complicated . . . or it's too complicated these days . . .
You're bogged down to a near standstill . . .
critics arm wrestling odysseyites
go-betweens taking notes . . . their faces a rictus of joy
continuing to take notes because they have nothing else to do . . .
March on
March on







Saturday, March 13, 2021

Screen Dump 552

The Cabinet of Dr. Caligari opens with a re-do
of the last scene in The Last Picture Show . . .
the story-within-a-story
about your own Paris, Texas in upstate New York
the unreliable narrator spinning Canterbury Tales
from the looms of Mohawk
with a walk among the clouds
after a Saturday afternoon 25-cent
creature double feature in all three theaters
Mohawk . . . Tryon . . . Rialto
a head-on crash course for clubbing
with inside-outs mimicking trailers
from Alt Cin 516's
visual texture and brooding menace assignment
due Monday . . .
The Creature From the Black Lagoon
teases Freud's Civilization and Its Discontents
bemoaning the convenience therein
for backseat drivers into and out of the City
excepting those staying after for extra credit . . .
the morning after coffee
from the corner Dunkin'
comparing notes and how-to's
using the Law of Small Numbers
to randomize call-backs . . .
The fun-filled auditions were indeed fun-filled
yet when the real runway called
you ran away with your Regents Review 2.0
mouthed the words that fell out
and tried to adapt to Ivy Leaguers . . .
the groves of academe morphing into the graves
with a segue to a second tour in Viet Nam
taking a shrapnel while on reconnaissance 
dying 35 years later at 57 without a memory of a parade
because there were none . . .