But the lines are throwaways . . . the perspective trumped . . .
compartmentalizing your demons . . .
Act 2 Scene 2 Line 33 . . .
Wherefore art thou [insert name]? . . .
I see . . . the parched facade . . . the blemishes . . .
But don't we all? . . .
Foreshortening may work . . .
Allow you to appraise past escapades . . .
Can you deal with the attention . . . fresh off the omnibus
on which you were held . . . per your wishes? . . .
Because why? . . .
Ah, yes, because you were engaged in developmental studies
with their Type II errors in abeyance . . .
and a loose cannon tethered to your toned calf . . .
Of course they're looking . . .
your backpack or attaché
brimming with paperwork . . . bound for glory . . .
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| Steven Meisel |