Your last time out was played . . . in mime . . .
good will hunting à la if-he-can-she-can . . .
a disastrous hookup . . . where less was more . . .
and more was even less . . .
with you lost among ceiling tiles
while outside Stevens's snowman orchestrated
nothing that is not there and the nothing that is . . .
And you ask . . . Why "now" the drama? . . .
 |
| Wendy Bevan |