Instead a foray into electronic music . . .
You make do with the acoustics . . .
The true through kicks it up a notch
along the canal of your second chapter
which is pretty much good to go . . .
A low thin cloud invades the recording studio . . .
Again, the emptiness . . .
with a dark function that takes on the late '80s
as if you have isolated the indexes
which hold the order of players
as listed in the credits . . . which keep rolling . . .
There's really nothing to do here . . .
Does this ring a bell? . . .
Recall the boardwalk . . . and the hookups
when everyone smoked or seemed to . . .
 |
| Diandra Forrest |