Many were inexperienced . . . time and again
misinterpreting hand-holding as condescension
revisiting the cul-de-sac with the passcode
at the wheel of your nightmare . . .
So you would proceed . . . slowly . . .
encouraging them to ask questions . . . take notes . . .
The strangeness of the encounter . . . a given . . .
both of you stepping out of your comfort zones
as if shooting with a green screen . . .
And what about postproduction at the tea shop
with work-a-day costumes oozing hilarity in retrospect? . . .
 |
| Antonio Palmerini |